Max Richter

“Recomposed by Max Richter: Vivaldi, The Four Seasons”


«The Vivaldi project was like a laboratory experiment. I needed to get that piece out of my system because I had this weird relationship with the original—I kind of loved it… and hated it, too. I loved the music, but hated the way you heard it the whole time. So, it was a way to reclaim that. I do think of it as a laboratory experiment—just put all the elements in the test tube and wait for it to blow up. And, in a way, it’s like co-writing as well, like collaborating with someone. It really connects more closely into my previous records, like Infra and The Blue Notebooks. I see it as a revolution of those.»



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